My thanks to Paul Midler (of the entertaining Poorly Made in China) for images of this copy of the rare Chungking Directory, the wartime guide to the who, what, where of the Chinese capital…. particularly interesting are the number of foreigners registered in the city in 1943 during the war (as detailed below including a category for “White Russian”) and one solitary “stateless” person (apparently the White Russians were not considered stateless in WW2 Chungking). Compare those growing numbers of allied nationals to 1939, which included the Germans (all gone by 1943)…..
I could totally wrong here but I’m going to assume that this bass drum was from a band, The Blue Syncopaters, that played aboard the ships of the Ocean Steam Ship Company, better known as The Blue Funnel Line. It’s dated as from the 1940s/1950s. Famously the Blue Funnel line, often with majority ethnic-Chinese crews, connected Liverpool with Shanghai and Hong Kong
This first handbook on North Korean cinema contests the assumption that North Korean film is “unwatchable,” in terms of both quality and accessibility, refusing to reduce North Korean cinema to political propaganda and focusing on its aesthetic forms and cultural meanings.
Since its founding in 1948, the Democratic People’s Republic of Korea (North Korea) has played diverse roles: a Cold War communist threat to the US, the other half of a divided nation to South Korea, an ally to the Soviet Union and China, one model for anti-colonialism to national liberation movements, an exotic political and cultural anomaly in the era of globalization.
This handbook provides a solid and diverse foundation for the expanding scholarship on North Korean cinema. It is also a road map for connecting this field to broader issues in film and media studies: film history, affect and ideology, genre, and transnational cinema cultures. By connecting the worlds of North Korean cinema to broader questions in global cinema studies, this book explores the complexity of a national cinema too often reduced to a single image.
Shanghai Gun Club engraved silver presentation tray, 1899, awarded as the “Visitors Prize” to T. Morgan Phillips (Chief Law Officer for Foreign Affairs of Southern Ports of China)…
A rare and rather obscure self-published book by Thomas Cotton called Oriental Roundabout and published in a limited edition of a few hundred copies in 1957. It appears to be reminiscences of Cotton’s cruise around Asia some time post-war. “Oriental Roundabout” was a popular name for post-war cruises to Asia offered by travel agents in Britain…. If anyone has a copy I’d be interested to know if there’s anything of particular in it worth knowing about?
Many of us know Liang Sicheng as a famous architect of China’s Republican era. Now join author Mark O’Neill as he discusses online his new book on Liang’s remarkable intellect, humanity, and commitment to his principles. Don’t miss it!
Feb. 19, 7:00-8:00 PM Beijing Time
MORE ABOUT THE EVENT: Liang Sicheng led an extraordinary life. He was the son of Liang Qi-chao (梁啓超), one of China’s most famous intellectuals, and grew up in Japan. Educated at the University of Pennsylvania, Liang also studied at Harvard and was greatly influenced by American architects and architecture. One of the few Chinese of his time with a detailed understanding of modern architecture, he returned to China in 1928 and spent more than 12 years researching the architecture of ancient China, continuing his work even through the chaotic years of the Anti-Japanese War. He published his findings in journals in Chinese and English, revealing to the world for the first time the history, skills and beauty of Chinese architecture. After World War Two, he taught at Yale University and served as China’s representative for the design of the United Nations’ new headquarters in New York. After 1949, he remained in Beijing as head of the architectural department of Tsinghua University (清華大學). He designed major buildings in the new state but failed to persuade Chairman Mao Zedong to preserve the ancient city of Beijing, to Liang’s great sorrow. In the 1950s and during the Cultural Revolution, he was severely criticized; he died in Beijing in January 1972. After the Cultural Revolution, he was fully rehabilitated; his works were published, including 梁思成全集 and 中國建築歷史, and Tsinghua University celebrated his achievements. In 1984, his “Pictorial History of Chinese Architecture” was published in English by Wilma Fairbank; she and her husband Sinologist John Fairbank were close friends of Liang and his wife Lin Huiyin (林徽因), herself a remarkable personality.
Liang Sicheng: Guardian of China’s Architectural History,” published by Joint publishing, can be ordered at www.mybookone.com.hk
