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Which Film About Shanghai Did Hitler Really, Really Hate?

Posted: September 10th, 2013 | No Comments »

Well apparently, according to Ben Urwand’s fascinating new book The Collaboration: Hollywood’s Pact with Hitler, it was the 1935 Charles Boyer/Loretta Young movie Shanghai. It seems Hitler demanded the projector be switched of half way through.

Shanghai_1935_film_poster

Why this dislike of an otherwise rather unexceptional film about Shanghai? In the movie Loretta Young and Boyer fall in love – Boyer (Dmitri Koslov, a half-Russian/half-Chinese millionaire industrialist in the film) is actually Eurasian, though denying his mixed heritage. Loretta Young is an all-American gal and, as the film’s slogan exclaimed, “Love hurls a challenge at a law as old as civilisation itself.” Hitler though wasn’t much of a fan of mixed heritage or mixed relationships and couldn’t stand the film. As a footnote Warner Oland (of Shanghai Express and numerous Charlie Chan flicks) appears in yellowface, as he so often did. Adolf should have stayed to the end – it all ends badly for the leads (or well, if you’re Hitler I suppose) and true love doesn’t win out.

the original, and rather mixed, 1935 New York Times review is here by the way

And here is a review of Urwand’s book, from which I culled this interesting fact about Shanghai

 shanghai2

Doomed mixed race love – hated by Adolf!

 



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