The Midnight in Peking Walk Returns in March – but with me, good food and fine wines people!!

For anyone interested I have somehow allowed myself to get talked into once more tramping the dark alleyways and hutongs of the fox spirit-riddled Peking Badlands and Legation Quarter in late March (during the Beijing Bookworm International Literary Festival) – however, there is an excellent dinner with fine wines at the end of the first walk which should more than compensate….(details from info@bespoke-beijing.com)

Down with Traitors – Justice and Nationalism in Wartime China

Down with Traitors – Justice and Nationalism in Wartime China by Yun Xia looks very interesting…

Throughout the War of Resistance against Japan (1931-1945), the Chinese Nationalist government punished collaborators with harsh measures, labeling the enemies from within hanjian (literally, “traitors to the Han Chinese”). Trials of hanjian gained momentum during the postwar years, escalating the power struggle between Nationalists and Communists. Yun Xia examines the leaders of collaborationist regimes, who were perceived as threats to national security and public order, and other subgroups of hanjian-including economic, cultural, female, and Taiwanese hanjian. Built on previously unexamined code, edicts, and government correspondence, as well as accusation letters, petitions, newspapers, and popular literature, Down with Traitors reveals how the hanjian were punished in both legal and extralegal ways and how the anti-hanjian campaigns captured the national crisis, political struggle, roaring nationalism, and social tension of China’s eventful decades from the 1930s through the 1950s.

Very Early heads Up – Cha Reading Series – Nostalgia in the Chinese City: Antony Dapiran & Paul French – 21/4/18

Nostalgia in the Chinese City: Antony Dapiran and Paul French

Kowloon, Hong Kong, Friday 20th April 2018

click here for more details

In this Cha Reading Series event “Nostalgia in the Chinese City”, Cha contributors Antony Dapiran and Paul French will discuss nostalgia in their work and in the Chinese cities where they have lived and worked for many years. Moderated by Cha co-editor Tammy Ho Lai-Ming.

Nostalgia—from the Greek words nostos (‘homecoming’) and algia (‘pain’ or ‘ache)—a yearning for lost time and place, for a past where one perhaps felt more ‘at home’. We may feel nostalgia for our own past, or for earlier times we could not have personally known. And it seems that nowhere is this more sharply felt than in the rapidly developing metropolises of China. Our cities are sites of collective memory, and collective amnesia. Hong Kong, Shanghai, Beijing: all suffer forms of the “culture of disappearance”; all have ambiguous—sometimes wistful, sometimes problematic—relationships with the past. Whether in a tourist packed hutong, an old Shanghai-themed café, a G.O.D. store, or gazing at a lone junk sailing on Victoria Harbour—we encounter nostalgia triggers daily. It can be comforting or confusing, positive or negative. It is political and it is personal. Nostalgia is a community, even if those communities are long gone now.

NOSTALGIA IN THE CHINESE CITY
Date: Friday 20 April 2018
Speakers: Antony Dapiran and Paul French
Time: 7:30-8:45
Venue: tbc
FREE ADMISSION | ALL ARE WELCOME

ABOUT ANTONY DAPIRAN
Antony Dapiran is a Hong Kong-based writer, lawyer and photographer, and the author of City of Protest: A Recent History of Dissent in Hong Kong, published by Penguin. He has written extensively on China and Hong Kong business, politics and culture. A contributing editor of ArtAsiaPacific, his writing has also appeared in publications including the Australian Financial Review, the Sydney Morning Herald, The Australian, South China Morning Post, CNN International, Nikkei Asia Review, Hong Kong Free Press, Chart Collective and the LARB China Channel.

ABOUT PAUL FRENCH
Paul French is the author of the New York Times best seller Midnight in Peking (Penguin), currently being developed as a series for TV. He is visiting Hong Kong to launch his new book City of Devils: A Shanghai Noir (Penguin), centred on the dancehalls, casinos and cabarets of wartime Shanghai.

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Cha Reading Series {http://bit.ly/2fnE9EE} takes the online journal out into the physical world. It brings together poets, writers, translators and artists who are in some way or other affiliated with Cha. Readings will take place in various impromptu locations across the city, in public and private rooms, lecture halls, on park benches, in front of billboards, next to a window scratched by tree branches. They will read their work informally or seriously. They will discuss issues, argue, debate and exchange. We also hope to form dialogue and explore specific pertinent topics that inspire or beset the contemporary world. Suggestions for future events can be sent to t@asiancha.com.

‘Mono’ The Shanghai Monkey – Long Before Mr Mills

Now loyal and well read China Rhyming readers will know that Emily “Mickey” Hahn (who was many things, not all them polite to say, as well as a New Yorker correspondent in Shanghai) was famous for walking around Shanghai with her pet gibbon Mr Mills – famously sh would turn up to nightclubs, cabarets and Sir Victor Sassoon’s dinner parties with the awful thing in diapers to try and stop it doing what it invariably did – urinated or masturbated presumably to everyone’s a) great humour or b) chagrin.

But really Hahn was just old hat, just another American gal with a monkey in Shanghai…A good decade before Hahn arrived, in 1927, Anna Mae Morgan had a monkey, Mono, in Shanghai that caused plenty of guffaws and scenes. Actually it was her sons, but still…

If only Unilever had read Carl Crow from 1937…..but they didn’t and so Rexona is a predictable bust…

if only Unilever had read their Carl Crow….they could have saved millions

http://supchina.com/2018/02/05/unilever-falls-for-the-2-6-billion-armpit-delusion/

Before Nanking – John Rabe in Peking

John Rabe is of course best known as the “Good German of Nanking” for his role in protecting Chinese under attack from the Japanese in 1937. However, before Nanking he was, in 1922,the Chief Accountant for Siemens in Peking living on Hsiao Chun Shu hutong….

Shanghai Royal Asiatic Society – Julie Chun on Contemporary Sculpture in China – 11/2/17

Contemporary Sculpture in China

Speaker: Julie Chun, Art Historian

In order to better appreciate contemporary sculpture, we need to develop a historical understanding of the conditions in which sculpture emerged in China. This month’s Art Focus museum talk will be led by RAS China’s Art Historian Julie Chun. A brief introduction will attempt to set the context as we view, discuss and engage with the contemporary sculptures in the solo retrospective Through No One’s Eyes But My Own by the female artist Xiang Jing that presents a survey of her 17 years of artistic output. By departing from the conventional notion of the “female beauty” that have defined depictions of women’s faces and bodies by male artists, how is Xiang Jing able to subvert the canon through her personal interpretation and expression? Moreover, we will consider how contemporary artists are attempting to overturn the different facets of the ingrained paradigm to set new directions for the genre of sculpture in the platform of global art.

About the artist Xiang Jing

Xiang Jing is a Beijing-based Chinese female artist who works primarily in creating contemporary sculpture. She graduated from the Department of Sculpture at the China Central Academy of Fine Arts in Beijing in 1995. As an established artist, Xiang Jing has exhibited in numerous solo and group shows internationally and her sculptures are collected by both private museums and public foundations. Her unconventional depictions of female bodies have incurred criticism and controversy, yet she maintains a practice that articulates her profound artistic independence as she seeks for personal truths.

For more information about the artist, please see: http://www.xiangjingart.com/en/index.php?m=list&a=index&id=5

Note: Due to the nature of nude content, this Art Focus event is not suitable for those under the age of 17.

RSVP: artgroup@royalasiaticsociety.org.cn

ENTRANCE: Members: 50 RMB Non-members: 100 RMB

(includes museum entry ticket)

VENUE: Long Museum West Bund; 3398 Longteng Da Dao, near Fenglin Lu (Metro: Line 7 or 12, Middle Longhua Road) Shanghai

City of Devils: A Shanghai Noir – Coming to the Bund in March…

Confirmed…details to follow….