A little heads up for March 8 – bringing Wallis in China to Soho House in conversation with the fabulous Michelle Garnaut as part of the Hong Kong International Literary Festival – it’ll be a fun night – gossip, scandal, 1920s China, books & wine!
Not sure who these gentlemen are but they’re having a picnic at Malatoon (Ma-Lau-Tung) in 1866, which is most probably Ma Yau Tong on the border of New Kowloon and the New Territories. Any ideas on who these geezers are most appreciated?
A piece by me in the China Books Review – The Thrilling Truth – a review of Joseph Kanon’s Shanghai, a problematic thriller set in 1930s Shanghai that raises the question is history at risk of being overtaken by fiction?
‘Paul French gives an intriguing and erudite picture of the time Wallis was in China.’ Her dress is of course “Wallis Blue” selected for her by the designer Mainbocher.
In the 1990s contemporary art in China as we know it was finally born, emerging from the underground after decades of Maoist stricture, the dreary official dominance of socialist-realism, the constant interference of self-appointed cultural commissars and nosy prurient coppers. And one factor that contributed to that birth was the 1993 exhibitions in Shanghai and Beijing by Gilbert & George. China had never seen the like and a generation of young artists suddenly saw new vistas of possibility….
I’ve blogged previously about the detail and beauty of many East Asian photo albums sold to travellers in ports such as Hong Kong, Shanghai and Yokohama (see here and here). Usually it’s the covers that are the attraction – chinoiserie lacquered albums, silk covers, often with embroidery of local scenes (rickshaws seem to be particularly popular).
But this (I think Japanese and bought in Yokohama) lacquered album seems particularly ornate and features internal pages of chinoiserie designs over which the photos/postcards can be affixed. Quite charming…
And at the bottom another Japanese style album cover from the same period….