Posted: January 28th, 2015 | No Comments »
More good preservation news from Taiwan (which comes in almost inverse proportion to preservation news from mainland China!!) – Taipei’s Losheng Sanatorium is to be renovated. The 1930s building was constructed as a leper colony originally under the Japanese colonial administration. It was a site of compulsory quarantine but quite pleasant it seems (though reportedly overcrowded). After the Japanese left the KMT kept it in operation as a sanatorium. Despite a cure for leprosy being introduced in Taiwan in 1954 many inmates could not easily readjust to normal life, were simply too scarred or had been isolated too long and so remained at the site. Since 1994 the Taipei MRT has been trying to bulldoze the buildings for a storage shed. However Taiwan’s Cultural Affairs Department has now announced that it will restore the site. There’s more here on the long-running preservation campaign.

The entrance…

the former sanatorium shop

patient huts

view across the sanatorium
Posted: January 27th, 2015 | No Comments »
Claire van den Heever’s Paint by Numbers is a good oral history of the rise of Chinese art over the last few decades. There’s a good review here from the Taipei Times….
The journey of Chinese art–from mass-produced propaganda in the Mao era to modern-day market darling–mirrors China’s own momentous changes like few other disciplines. Today, in both contemporary art and contemporary Chinese society, commerce and politics coexist in a delicate balance, which some call sensible and others, selling out. By traveling to the studios of renowned Chinese artists, hearing their rags-to-riches tales and interviewing the critics, curators, and collectors that have been around since its idealistic beginnings, author Claire van den Heever paints a picture of Chinese art’s bumpy path to commercial and critical success, and uncovers the secrets it tried to keep along the way.
Posted: January 26th, 2015 | 2 Comments »
Blogged a couple of days ago on Shanghai’s Rokusan Gardens in Hongkew (here and here). Just along from the Gardens was the famous Uchiyama Bookstore but I don’t have a picture of it….has anyone got a photograph of that famous store where Kanzo Uchiyama sold books and brought avant garde Shanghai and Japanese Shanghailanders together? See yesterday’s post for the location up at the northern end of the North Szechuan Road (Sichuan Road North nowadays) I only have images of the building as it is today….


Uchiyama with Lu Xun in Shanghai
Posted: January 26th, 2015 | No Comments »
RAS LECTURE
TUESDAY 27th January 2015
7pm for 7.15pm
Â
RAS Library, Sino-British College
Linda Ferguson:
The RAS Shanghai LibraryÂ

In a meeting at the Masonic Lodge in Shanghai, a small group of British and Americans seeking intellectual engagement in a city dedicated to commerce decided to established a “Learned Society†in Shanghai.  It was originally called the Shanghai Literary and Scientific Society, but within one year it had become associated with the Royal Asiatic Society of Great Britain and Ireland, and had changed its name to the North China Branch of the Royal Asiatic Society (NCBRAS).  The Society’s intent was to investigate subjects connected with China and surrounding nations, to publish papers in a Journal and to establish a public library and a museum.
In 1858 they purchased 761 books from Alexander Wylie, a renowned Sinologist living in Shanghai. Â This became to the core of the NCBRAS Library. Â Primarily through public donations, over the next 90 years this library became the preeminent Library in the Far East.
Based on the records of the NCBRAS Journals, Linda Ferguson will retrace the history of the RAS Library in Shanghai, the people who created it and the challenges they faced over the years.
ENTRANCE: Â Members 20 RMB – Non Members 50 RMB
Includes a glass of wine or soft drink
Priority for RAS members. Those unable to make the donation but wishing to attend may contact us for exemption.
MEMBERSHIP applications and membership renewals will be available at this event.
WEBSITE: Â www.royalasiaticsociety.org.cn
Posted: January 25th, 2015 | 2 Comments »
I blogged at the start of the year on the little known and not much remembered Rokusan Gardens that once existed in Shanghai’s Hongkew (Hongkou) District – Little Tokyo. They were small and don’t really appear on many maps – at least not ones I’ve seen. But here is a map of Hongkew that does give an indication of where the Gardens were roughly by identifying both the Shinto shrine (Shanhai Jinja – 12 on the map below) that was in the Gardens and the famous Uchiyama Bookstore (13 on the map below) run by Uchiyama Kanzo in the 1920s and 1930s, probably the most important bookstore Shanghai ever had.

Posted: January 24th, 2015 | 2 Comments »
The lucky folk of Canberra have this exhibition to attend….

間:臺ç£äº”å…å年代é¢å½±
Between – Picturing 1950-1960s Taiwan
Politics has had complex effects on the cultural life of Taiwan in the twentieth century. These forty-four works, curated from the collection of the National Museum of History (Taipei), offer subtle observations of Taiwan in the 1950s and 1960s, from the perspectives of fifteen artists and photographers, as fresh and curious witnesses to lives in flux.
Featuring photography, sketches and prints by: Chang Tsuan-chuan, Chao Erh-tai, Chen Shih-an, Cheng Shang-hsi, Hsi Teh-chin, Kao Shan-lan, Lin Chih-hsin, Liu, An-ming, Teng Nan-kuang, Tsai Hui-ch’un, Tsai Hui-feng, Tsai Kao-ming, Tu Feng-hui, Yang Chi-hsin, Yu Ju-chi.
Curated by Dr Olivier Krischer (Australian Centre on China in the World), Dr Hsieh Shih-ying è¬ä¸–英 (National Museum of History)
Exhibition dates: 6 January – 3 April, 2015
Gallery hours : 9am-5pm, Monday to Friday
Download the exhibition information
Opening Reception
The exhibition will be opened by Dr Yui-tan Chang (Director, National Museum of History, Taipei) at 5pm on Tuesday 6 January.
Image credit: Yu Ju-chi, Historical Image of Taichung Station (12-11), c.1960, gelatin silver print, 45 x 66cm. Courtesy the National Museum of History, Taipei.
This exhibition is made possible through the generous loan of works from the National Museum of History, Taipei. The Australian Centre on China in the World also gratefully acknowledges the support of the Ministry of Culture, ROC (Taiwan), and the Taipei Economic and Cultural Office in Australia.
Posted: January 23rd, 2015 | No Comments »
Von Sternberg’s 1941 The Shanghai Gesture is, without doubt, the most hyper real portrayal of old Shanghai’s casinos and Badlands. I must have watched the film a hundred times. What I didn’t know till the other day is that murals that dot the walls of the casino and Mother Gin Sling’s (Ona Munson in yellow face) casino and rooms were done by the Chinese-American actor Keye Luke. Canton born Luke was about the best known Chinese face in cinema before the war in all those Charlie Chan and Mr Moto movies and had a career that went on long after too. He was also a talented painter. In fact, after growing up in Seattle, he first worked in the film business as a commercial artist and a designer of movie posters. He did a lot of murals including some for the inside of Graumann’s Chinese Theater in Los Angeles. Luke was hired by von Sternberg to do murals for The Shanghai Gesture and commented that,
‘…it was like painting the Great Wall of China. It was a huge room – a dining room – and there was four sides and one a plate glass mirror. It was very, very effective.’
Here then some scenes from the movie with the mural in the background….




Posted: January 22nd, 2015 | No Comments »
I blogged yesterday on Harry Hervey, the man who wrote the original treatment for Josef von Sternberg’s Shanghai Express and a number of other Far-East and China related movies. He was also a writer and his book Where Strange Gods Call – Pages Out of the East, from 1924, is now largely forgotten – but well worth remembering. The book is an account of the author’s travels in Hawaii, Japan, China (though I don’t think he actually visited Shanghai), the Malay Archipelago, Indonesia and the South Seas with vignettes portraying the exotic people, sights and cultures he found there accompanied by illustrations from Christopher Murray (about whom I know nothing).


