Midnight in Peking Wins International Success of the Year at the Australian Book Industry Awards

Obviously very glad that Midnight in Peking won the International Success of the Year award at the Australian Book Industry Awards – congrats to Kate and Peg at Penguin Oz who did all the heavy lifting on TV, foreign rights and all that – but also that Anna Funder won book of the year for All That I Am – which was my personal book of the year 2011. Trebles all round, as they say…here’s the trophy –

WB Yeats Joins China Rhyming’s Chinoiserie Poetry Jamboree

Regular readers will know that I have designated 2012 China Rhyming’s year of Chinoiserie poetry – We’ve had Vachel Lindsay (twice), Ezra Pound, Edith (and here a second time) and Sacheverell Sitwell to date. Now it’s the turn of William Butler (WB) Yeats, Irish poet and all round man of letters. Lapis Lazuli is a lovely poem published in 1938, dedicated to Harry Clifton. Clifton gave Yeats, on his seventieth birthday, an eighteenth century Chinese carving in lapis lazuli, an azure-blue semiprecious stone. It was a traditional scene representing a mountain with temple, trees, paths, and tiny human beings about to climb the mountain. Yeats uses the carving to meditate on the role of art in an essentially tragic world. Naturally, Yeats felt moved to write a poem.

We can see Yeats’s fears of approaching war and some Shakespeare references. FYI: Callimachus was a Greek poet

Enjoy…

Lapis Lazuli

(For Harry Clifton)

I HAVE heard that hysterical women say
They are sick of the palette and fiddle-bow.
Of poets that are always gay,
For everybody knows or else should know
That if nothing drastic is done
Aeroplane and Zeppelin will come out.
Pitch like King Billy bomb-balls in
Until the town lie beaten flat.

All perform their tragic play,
There struts Hamlet, there is Lear,
That’s Ophelia, that Cordelia;
Yet they, should the last scene be there,
The great stage curtain about to drop,
If worthy their prominent part in the play,
Do not break up their lines to weep.
They know that Hamlet and Lear are gay;
Gaiety transfiguring all that dread.
All men have aimed at, found and lost;
Black out; Heaven blazing into the head:
Tragedy wrought to its uttermost.
Though Hamlet rambles and Lear rages,
And all the drop-scenes drop at once
Upon a hundred thousand stages,
It cannot grow by an inch or an ounce.

On their own feet they came, or On shipboard,’
Camel-back; horse-back, ass-back, mule-back,
Old civilisations put to the sword.
Then they and their wisdom went to rack:
No handiwork of Callimachus,
Who handled marble as if it were bronze,
Made draperies that seemed to rise
When sea-wind swept the corner, stands;
His long lamp-chimney shaped like the stem
Of a slender palm, stood but a day;
All things fall and are built again,
And those that build them again are gay.

Two Chinamen, behind them a third,
Are carved in lapis lazuli,
Over them flies a long-legged bird,
A symbol of longevity;
The third, doubtless a serving-man,
Carries a musical instrument.

Every discoloration of the stone,
Every accidental crack or dent,
Seems a water-course or an avalanche,
Or lofty slope where it still snows
Though doubtless plum or cherry-branch
Sweetens the little half-way house
Those Chinamen climb towards, and I
Delight to imagine them seated there;
There, on the mountain and the sky,
On all the tragic scene they stare.
One asks for mournful melodies;
Accomplished fingers begin to play.
Their eyes mid many wrinkles, their eyes,
Their ancient, glittering eyes, are gay.

Elizabeth Wilson Notes Old Shanghai Dodginess Once Again

Last year I noted in a post a few references to old Shanghai in popular culture – Elizabeth Wilson’s War Damage (Serpent’s Tail, 2009) was one examples, a great novel that takes the reader to post-war Hampstead where the Bohemian set are getting started again after six years of fighting the Nazis. One suspect immediately shoots up the “most likely to be guilty of something” list when it is mentioned that he had spent many years before the war in Shanghai, in antiques or something. Clearly someone who needs further investigation. A cracking read.

Now Elizabeth Wilson is back with a new novel and it’s even better – The Girl in Berlin – as well as being a really atmospheric spy thriller set in 1951 amid the scandals of the Burgess and Maclean scandals. And Shanghai gets another mention to cement it’s well deserved reputation!! One rather louche female character from  the upper classes – Reggie – is described as, “…one of those women who somehow acquired lots of husbands. There was a mystery about her first, pre-war one, met in Shanghai.” Oh those dodgy chaps you meet in old Shanghai!

The China Heritage Quarterly on Tea

A quick plug for the excellent and utterly absorbing new online edition of the China Heritage Quarterly which focuses on tea, teahouses and all things to do with the lovely brew.

Pouring tea, by Kurt Wiese (Source: Grace Yaukey (pseud. Cornelia Spencer), Made in China, London: George G. Harrap and Co, 1947, p.47.)

With Jianying Zha in Adelaide and 5 of the Best White Mischief Books in the WSJ

For those who might be interested – here’s a quick post to a couple of links:

1) I did a “5 of the Best” for the Wall Street Journal this weekend and chose White Mischief so there’s a couple of old-Shanghai references

2) Here’s a link to a session I did with Jianying Zha (China Pop, Tide Players) at the Adelaide Writers’ Week in March courtesy of the ABC Big Ideas channel – it’s a contemporary China thing but anyway..more details below:

A Little Deviation to Burma – Kipling’s Burma and other good reads on the country

Right now it’s hard to find anyone I know who hasn’t in the last six months taken a trip to Burma. It’s all the rage – economic analysts, political think tankers, investment bankers, NGO-types and, of course, the hack pack looking for new stories (and inevitably of course seeking them in the same places!!). I’m stuck working and promoting books so can’t join the exodus and I suppose by the time I get round to it I’ll be able to visit a Rangoon Starbucks and get a Papa John’s pizza in Mandalay!!

Still, we can read. And I’m going to assume that everyone reading this blog has already read, and re-read, Orwell’s Burmese Days and the associated Burma essays. If you haven’t please desist from visiting this blog – it’s not really the place for you! I’d also recommend two opther great Burma books that evoke the old times (this is an old times blog afterall) – Emma Larkin’s Finding George Orwell in Burma which is fascinating and Andrew Marshall’s Trouser People: A Story of Burma in the Shadow of Empire. I’ve added details of these two below. I’d also note Amitav Ghosh’s The Glass Palace – but you should all also know that too! It would naturally be remiss of me to not plug my own small contribution to Burma studies in the form of the Carl Crow war diaries, The Long Road Back to China, I edited a couple of years ago that describe, in Crow’s own words, Rangoon, Burma and the perilous Burma Road in 1940 (I’ve blogged a lot about that before – just use the search box to find references and details).

And so I came across something that may interest us all thinking about Burma and another great writer associated with the country Kipling. Here then is a link to an address by George Webb to the royal Society of Asian Affairs given in 1983 on the subject, Kipling’s Burma: A Literary and Historical Review.

The Trouser People – Two journeys, one hundred years apart–that of the eccentric British explorer George Scott, who introduced the game of soccer to Burmese natives, and that of the author, charting the same dangerous terrain in a country vastly changed by colonialism, war, and politics. Andrew Marshall has written an unforgettable adventure story, the wry account of two journeys into the untraveled heart of Burma. Part travelogue, part history, part reportage, The Trouser People recounts the story of George Scott, the eccentric British explorer, photographer, adventurer, and later Colonial Administrator of Burma, who introduced the Empire’s best game (soccer!) to Burmese natives and to the forbidden Wa state of headhunters, who were similarly enthusiastic about it. The second, contrasting journey is Marshall’s own, taking the same dangerous path one hundred years later in a country now devastated by colonial incompetence, war, and totalitarianism. Wonderfully observed, mordantly funny, and skillfully recounted, this is journalistic travel writing at its best.

Finding George Orwell in Burma – In one of the most brilliant and intrepid memoirs in recent memory, Emma Larkin tells of the year she spent travelling through Burma, using as a compass the life and work of George Orwell, whom many of Burma’s underground teahouse intellectuals call simply “the prophet”. In stirring, insightful prose, she provides a powerful reckoning with one of the world’s least free countries. Finding George Orwell in Burma is a brave and revelatory reconnaissance of modern Burma, one of the world’s grimmest and most shuttered dictatorships, where the term “Orwellian” aptly describes the life endured by the country’s people. This book has come to be regarded as a classic of reportage and travel and a crucial book for anyone interested in Burma and George Orwell.

The Glass Palace – Rajkumar is only a boy, helping out on a market stall in the dusty square outside the royal palace in Mandalay, when the British force the Burmese King, Queen and court into exile. He is rescued by a far seeing Chinese merchant and with him builds up a great logging business in upper Burma. But haunted by his vision of the Royal Family and one of their attendants, he journeys to the obscure town in India where they have been exiled, and his family and friends become inextricably linked with theirs. Through the lives of the wider family and connections, an extraordinary story of this century is told: in Malaya, amid the vast rubber plantations, in India, among the growing nationalist feeling, in America where ideas of democracy and terrorist action, as well as business acumen, could be learnt. By the time World War II arrives, Rajkumar – who had made and lost several fortunes – has spread his family and influence from the great estate at Morningside where his son will be involved in the British collapse in Singapore, and one of his relations in the remarkable rebellion of the Indian troops against their British officers. Another of the great characters, the formidable Indian widow, Uma, becomes a spearhead of the Indian nationalist movement and provides a final refuge for the battered remnants of the family as they flee from Burma before the Japanese advance in a horrifying trek across appalling terrain. And it his granddaughter who survives that experience who brings the readers back to contemporary Burma, and completes the circle of the family started so long ago in Mandalay.

Spanish Revival Architecture in Shanghai

An interesting article on Spanish Revival architecture in Shanghai (or what’s left anyway) on Hugues Martin’s Shanghailander blog…

RAS Shanghai – Political Legitimacy in China: A Confucian Perspective – 19/5/2012

RAS WEEKENDER

Saturday 19th May 2012 at 4.00pm

No.8 Xintiandi North Part Lane 181 Taicang Road Shanghai

  Address in Chinese: 太仓路181弄,新天地广场北里8号,T8餐厅

 

PROFESSOR DANIEL A. BELL

On

Political Legitimacy in China: A Confucian Perspective

The Chinese government has managed to achieve a high degree of political legitimacy without democracy in the sense of free and fair competitive elections for the country’s leaders. The main explanation is that the government has recently revived and drawn upon three sources of non-democratic legitimacy: performance legitimacy, political meritocracy, and nationalism. In a critical spirit, Prof. Bell will suggest that those sources of legitimacy may not be sustainable and justified from a moral point of view. He will then argue that a modified version of Jiang Qing’s theory of political legitimacy may help to remedy some of the defects of “actually-existing” legitimacy in China. He will conclude by asking if this model of legitimacy is relevant and desirable outside of China.

Daniel A. Bell was born in Montreal, Canada. He obtained his B.A. at McGill University and his graduate degrees at Oxford University. He is Zhiyuan Chair Professor of the Arts and Humanities at Jiaotong University (Shanghai) and Professor of Ethics and Political Philosophy and Director of the Center for International and Comparative Political Philosophy at Tsinghua University (Beijing). He is the author of China’s New Confucianism (Princeton University Press, rev. ed. 2010), Beyond Liberal Democracy (Princeton University Press, 2006), East Meets West (Princeton University Press, 2000), and Communitarianism and Its Critics (Oxford University Press, 1993). He is the co-author of The Spirit of Cities (Princeton University Press, 2011). He has edited and co-edited eight books, and he is the series editor of the new Princeton-China translation series. He co-edited and wrote the introduction for the first book in the series Ancient Chinese Thought, Modern Chinese Power (Princeton University Press, 2011) as well as the second book, A Confucian Constitutional Order (Princeton University Press, forthcoming in 2012). He is a frequent contributor to the New York Times, the Globe and Mail, and to Chinese language publications (His Chinese name: 贝淡宁). His writings have been translated into twenty-two languages.