All things old China - books, anecdotes, stories, podcasts, factoids & ramblings from the author Paul French

Destination Peking: A New Walking Tour Based on the book with Bespoke Beijing & Jeremiah Jenne

Posted: September 23rd, 2021 | No Comments »

Bespoke Beijing, the people behind the Midnight in Peking walking tour, have got another tour going based on my collection of stories, Destination Peking. And it’s been led by the brilliant historian and doyen of Beijing walking tours, Jeremiah Jenne. Plenty of aesthetes, hutongs, bad guys, conmen, royalty, swish hotels and a 1930s cocktail thrown in. The first tour (October 5) sold out before I could post it, so they’ve added another on October 9….

And, of course, you can still buy the book even if you can’t make it to Beijing this October…

Blacksmith Books

Amazon

Bookshop.org


“Yellow Jazz, Black Music” with Marketus Presswood

Posted: September 22nd, 2021 | No Comments »

An interesting episode of the Barbarians at the Gate podcast with David Moser and Jeremiah Jenne talking to the academic and doc maker Marketus Presswood on jazz in Shanghai that notes the likes of Teddy Weatherford and Buck Clayton (who pop up in my books quite often)….


Networking the Russian Diaspora: Russian Musicians and Musical Activities in Interwar Shanghai

Posted: September 21st, 2021 | No Comments »

Networking the Russian Diaspora by Ho-Lan Helan Yang, Simo Mikkonen and Jonathan Winzenberg hopefully doesn’t just focus on classical and opera, but also on the cabarets and nightclubs. My copy is ordered anyway…

Networking the Russian Diaspora is a fascinating and timely study of interwar Shanghai. Aside from the vacated Orthodox Church in the former French Concession where most Russian émigrés resided, Shanghai today displays few signs of the bustling settlement of those years. Russian musicians established the first opera company in China, as well as choirs, bands, and ensembles, to play for their own and other communities. Russian musicians were the core of Shanghai’s lauded Municipal Orchestra and taught at China’s first conservatory. Two Russian émigré composers in particular—Alexander Tcherepnin and Aaron Avshalomov—experimented with incorporating Chinese elements into their compositions as harbingers of intercultural music that has become a well-recognized trend in composition since the late twentieth century. The Russian musical scene in Shanghai was the embodiment of musical cosmopolitanism, anticipating the hybrid nature of twenty-first-century music arising from cultural contacts through migration, globalization, and technological advancement.

As a pioneering study of the Russian community, Networking the Russian Diaspora examines its musical activities and influence in Shanghai. While the focus of the book is on music, it also gives insight into the social dynamics between Russians and other Europeans on the one hand, and with the Chinese on the other. The volume, coauthored by Chinese music specialists, makes a significant contribution to studies of diaspora, cultural identity, and migration by casting light on a little-studied area of Sino-Russian cultural relations and Russian influence in modern China. The discoveries stretch the boundaries of music studies by addressing the relational aspects of Western music: how it has articulated national and cultural identities but also served to connect people of different origins and cultural backgrounds.


Hello Gold Mountain – A Chamber Orchestral Piece Remembering the Shanghai Jewish Ghetto

Posted: September 20th, 2021 | No Comments »

Just before Covid-19 hit, at the invitation of the Chinese mucisian Wu Fei, I put together a small privately published book entitled The Port of Last Resort and aiming to show through pictures and anecdotes the history of the Shanghai Jewish Ghetto and the European Jewish refugees who lived there from the late 1930s till Shanghai’s liberation in 1945 (and stayed somewhat longer in many cases).

The short book supports Hello Gold Mountain, an original composition by Wu Fei for chamber orchestra, performed by chatterbird ensemble, featuring Wu Fei on guzheng and Shanir Ezra Blumenkranz (Silk Road Ensemble) on oud — the traditional Chinese and Jewish plucked string instruments respectively. The work premiered at Vanderbilt University’s Ingram Hall in Nashville, TN. More details are here.

Then Covid-19 rather derailed plans. However, hopefully there will be more performances now, included one in Washington DC next year.

My thanks also to Bill Lascher for sharing the previously unpublished photographs of the ghetto taken by his relative the Jewish-American journalist Melville Jacoby (there is a book of all his China/HK/Macao photographs in the works at the moment). Do watch out for posts on future performances…

Wu Fei published a few pics of the small book which i’m reposting here….


Betty Joel Rugs, 1920s/1930s

Posted: September 17th, 2021 | No Comments »

See my post yesterday on Betty Joel, the interior designer and daughter of British diplomat James Stewart Lockhart of Hong Kong and Wehaiwei. Joel also offered a successful range of rugs, mnay designed by the French designer Ivan da Silva Bruhns and manufactured in Tientsin (Tianjin)… here then a picture of Betty and some of her rugs (all designed by da Silva Bruhns I believe)…

Betty Joel

Chiang Yee at the Betty Joel Gallery, 1936

Posted: September 17th, 2021 | No Comments »

In January and February 1936 the artist Chiang Yee had his first solo exhibition in the UK – ‘Exhibition of Modern Chinese Pictures and Fans’, which included Chiang’s paintings and some Qing Dynasty fans. The exhibition was held at the Betty Joel Gallery, 25 Knightsbridge near Hyde park Corner.

It was a fitting venue for Chiang. Betty Joel was originally Mary Stewart Lockhart, the Hong Kong-born daughter of the British diiplomat in East Asia James Stewart Lockhart. A portion of her youth was spent in Weihai. She married a Royal Navy officer called Joel and so Betty Joel. In England she became a noted textiles and interior designer in part creating the art-deco interiors of the 1930s, with elements of Chinoiserie and having rugs made in Tianjin for sale in England (I’ll post some rugs another day).

Anyway, here is her shop, workshop and gallery at 25 Knightsbridge where Chiang exhibited.


The Rise & Fall of Shanghai’s Coffee King (Supchina/MOFBA)

Posted: September 10th, 2021 | 1 Comment »

An interesting story in Supchina Chang Pao Cun was a coffee pioneer in China, one of the first people to bring the dark caffeinated beverage to locals. But his story, set against the unhinged origins of Shanghai coffee culture, is also full of tragedy. Click here


Adrian Bradshaw’s The Door Opened: 1980s China

Posted: September 9th, 2021 | No Comments »

I’ve noticed that Adrian Bradshaw has been posting quite a lot on FB with his great photos of 1980s China. Worth reminding you that there is an accompanying book – The Door Opened: 1980s China – which is quite expensive but a almost unique gallery of images. Some sample pages/images here.